Blogs and Articles
Write in Character
Some ideas on how not to write the same old thing you usually write. With some guest appearances by David Bowie, the 10CC and the incomparable Nina Simone.
How Not to Wreak Your Mix
Wanna wreak your mix? Spend a lot of time one one stupid aspect and lose your view of the whole thing. How NOT to do something that damn dumb.
30 years of music: by Dan
30 years ago Dan was a kid who loved music, but had no idea where it would lead him. 30 years ago he took the first steps on a journey that brings us all here.
Fix that Dumb Love Song’s Ass Right Proper
Even a dumb country love song can have cool lyrics. This post is the start of a bunch on production ideas, starting with songwriting and lyrics. 8lbs 4oz Baby Jesus, try not to make it all about you.
Masterfading 2: Riding the Masterfader
Improve the interest and dynamics of your song by moving the masterfader a little bit here and there during your mix. It’s easy. It’s fun. It won’t stunt your growth.
Talkback Limiter = Bass Amp???
It’s all about breaking the rules. Dan K. shows you how to do it for bass sounds in this short video.
Masterfading 1: Better Fade Outs
Fadeouts on a record can be a work of art, or they can sorta suck. Here are a bunch of ideas on how to up your game at the end of the song.
How to Win
Much can be learned when an unpronounceable hurricane takes out your power and you need to get your generator fixed. And it applies to audio! Surprise surprise!
How to Screw-Up
Mistakes will be made, in the studio and in life. Get beyond them. They mean you’re moving up and forwards in your career. Learn the lesson now!
Ye Shall Be Released... understanding compressor release time
Last of this series on compressors. Next week we move onto something new... Who knows what it might be! The Release is the hardest parameter on a compressor to set. It can be hard to hear the effect of release—depending on the other settings of a compressor it can almost be impossible. It’s also really […]
Slap, Punch, Transients, Compressors, Oh my!
Having issues getting your mix punchy? You probably aren’t setting the attack time right. This article covers exactly that, with a really clear explanation of how to do it, and some video examples.
Limiters, Compressors and Walking Dogs
We are talking about compressors for the next few weeks. It all starts with understanding the differences between Compressing and Limiting. Not as it is described in text books, but as it occurs in the studio.
Working Studio: block capitals, neat handwriting, Sharpies
You should get in the habit of labeling everything with a piece of Artists Tape and writing in block capital letters with a Sharpie. It will make your sessions run faster and cut down on the amount of time wasting (and session destroying) mistakes.
Drums, Limiters, Gates, Hugh, Pete and Phil, etc.
Drum bus compressors have become a big deal. What follows are some ideas, some things to try, and some history to know about drum bus compression.
The Book that Changed my Life
Books can change your life if you read the right ones. Home Recording for Musicians changed Luke's life in the late 1970's.
Eddie Kramer's Drum Sound Secret
Engineering God Eddie Kramer is in the studio down the hall, but he won't let anyone see his drum mic set-up. What's an up and coming engineer to do? Sneak in, of course!
How the Pawn Shop Comp Came to Be
People love the Pawn Shop Comp, and they keep asking Dan, "How did you ever come up with this thing??" Read about the Pawn Shop Comp's labor and eventual birth!