Distortion, in the simplest sense, is when what comes out is different than what goes in. Think about eating dinner and what happens six hours later.... that ain’t the same pork chop, is it?
Something in the process, in the piece of equipment, is changing the signal.
Usually, what happens is that the piece of equipment runs out of ability to accurately reproduce the input signal. But what the heck does this mean, actually? Let me give you a few examples. If you get this clear in your head, so many things will suddenly make sense.
Let’s Look at a Speaker
A simple speaker is a cone of paper that’s being pushed forward and backward by an electromagnet (the coil). There’s a flexible springy area around the cone of paper called the surround, and the base of the cone is attached to another springy thing called a spider. The surround and the spider are attached to a frame called the basket. The spider and the surround allow the cone to move forward and back while supporting it in the basket. When the cone moves forward and back it pushes air forward and back. The coil is what causes the cone to move - pushing it forward and back, depending on the signal that’s fed into it. Like this diagram:
If you feed in a low frequency signal, the cone moves back and forth slowly, and as the pitch goes up, the cone moves back and forth faster and faster. If you feed a weak signal in, the cone moves back and forth over a small distance.
If you crank the power up (the volume) the cone moves back and forth and covers a longer distance.
However, the cone can’t move an infinite distance back and forth. There will come a point when the surround and the spider are completely stretched and the cone can’t move any further. The speaker has run out of ability. Does that make sense?
When the cone has ability to move, it does so, and it can accurately track the up and down of the waveform. When the surround and spider run out of stretch, however, the cone can’t track the waveform. It moves as far as it can, can’t go any further, so it essential jams - it stays still. And the waveform that comes out of it is now different than the waveform that went into it. And if you look at the waveform the speaker is emitting out, it’s clipped — it’s squared.
Remember last week, when we mixed odd order harmonics in with the fundamental and caused a square wave? This is exactly what’s happening with the speaker, but in reverse: its movement is “jammed:” it squares and generates a bunch of distorted crap — harmonic distortion crap. Oh my, that doesn’t look like the original pork chop, does it?
So, a speaker has a certain amount of ability to move and reproduce a waveform in a linear manner. If we put in too much power, we run the speaker out of ability, and the result is distortion.
How much ability does a speaker have?
It depends on things, but to look at it very simply, if a speaker is rated to 150 watts, it has 150 watts worth of ability.
Let’s Look at an Amplifier
Ok, so a speaker is rated to 150 watts, so that means an amplifier which is rated to 150 watts... hmmm... that means the amp has 150 watts worth of ability to reproduce the signal, right?
EXACTLY!!! That is exactly right. Amps - and not just power amps or guitar amp, but the little tiny amplifiers stuffed into the circuit boards of your recording console, have only so much ability. They run out of ability to reproduce a signal, and when that happens, the result is distorted output, non-linear output.
As a signal feeds in, the amplifier uses power to reproduce it. As we turn up the input signal, the amp needs more power to track the waveform in a linear manner. But there isn’t infinite power. The amp isn't connected directly to the sun. Eventually, the amplifier cannot draw anymore power, and it loses its ability to track the waveform, and it squares the wave, just like a speaker that runs out of springiness.
Amplifiers use power to reproduce signal, and if they don’t have enough power, they generate harmonic distortion. A simple way to look at, but a very useful way to look at it.
Everything Runs Out of Ability
A singer can only get so loud before their vocal chords can no longer move — they physically slam into each other in the voice box. The vocal chords run out of ability. The resulting vocal has a growl to it — distortion. Harmonic distortion. And if the singer keeps doing this, they start losing their voice, and if they do it enough, there can do permanent damage, just like you can blow a speaker out, or blow up an amplifier.
Your ears. Your eardrum can only move so far. The little bones in your ear (there are three little bones in each) can only move so far. The little hairs in your cochlea which turn sound waves into nerve impulses can only move so far. They run out of ability to move, to track the waveform as it gets loud, and the result is distortion. And you can hear this distortion, and you can feel it. And if you consistently run your ears out of ability you’ll get tinnitus. Or, if the waveform is loud enough, you can blow your eardrum out — literally tear it apart.
Stuff certain mics into a kick drum and one good hit can break the diaphragm in a split second, and if it doesn’t break it, the mic will clip the waveform as it runs out of ability to move and starts generating harmonic distortion.
Do digital processors run out of ability? Yes. Digital processors do math, and you can basically use up all of the processor’s ability to perform mathematical calculations. The result however, isn’t harmonic distortion. It’s a loud click or static "scratching" sound, and if you feed that through a speaker, the speaker runs out of ability to reproduce it almost immediately, which is why it sounds awful and is really bad for your speakers. And your ears.
Everything runs out of ability, and when it does, you get that unrecognizable pork chop.
A short post this week, but an important one if this is stuff you’re trying to wrap your head around. Hit us up on Facebook or Discord if you’ve got a question.