Sound Techniques and Trident
Before Trident Studios made its own consoles, its engineers recorded and mixed with Sound Techniques. Part 3 of our Sound Techniques History.
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Techniques
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Sound Techniques in LA
The second of a series of articles on the Sound Techniques console. The First english console in the US was a Sound Techniques delivered to Sunset Sound in Los Angeles.
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The Sound Techniques Story 1: The Studio and London
The first of a series of articles on the Sound Techniques console. Virtually unknown today, many iconic records were made on it, at Sunset Sound and Elektra studios in the US, at Trident and other studios in London.
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AI Vegans
Thoughts on where the music industry is at when it comes to the proliferation of Ai.
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Distorted Drums: Lo Fi and Faux Fi.
Distorted drum sounds don't require a strange little room and a bunch of old mics and compressors. Here's a way to get dangerous dirty drums with a single plug-in—our Shure Level-Loc.
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Pawn Shop Comp
An Old School Approach to Saturation
Sticking a saturator on the mix bus isn’t going to get you that vintage analog warmth. Setting up your DAW like an old console will.
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The WOW Thing
Black Album Guitars
Using The WOW Thing to get huge, Randy Staub style guitar sounds. Think Black Album. Think Nickelback. Think WOW. Complete breakdown, including settings.
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Read It Hear: Lips Like Sugar
Lips Like Sugar was a hit for Echo and the Bunnymen. It’s a great production full of texture and color. We break it down for you. Read it hear.
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Just Use Three Reverbs
Too many different reverbs can overwhelm your mixes. Just use three. This is how you do it, and how to think about it.
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Pawn Shop Comp
Bass Fix with the Pawn Shop Comp
Using saturation to enhance low-frequency sounds on a small speaker.
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Pawn Shop Comp
Recording Guitars
A collection of ideas and tips on tracking guitars.
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Pawn Shop Comp
Timbre and Harmonic Distortion
Timbre and Harmonic Distortion are fruit from the same tree. And then clipping and compression: a look at the differences. And a nifty homework assignment.
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